{"id":2095,"date":"2025-09-08T13:50:47","date_gmt":"2025-09-08T13:50:47","guid":{"rendered":"https:\/\/turbo-type.com\/luqs-copy\/"},"modified":"2025-10-27T10:01:02","modified_gmt":"2025-10-27T10:01:02","slug":"wiesbaden-biennale","status":"publish","type":"post","link":"https:\/\/turbo-type.com\/en\/wiesbaden-biennale\/","title":{"rendered":"Wiesbaden Biennale 2025"},"content":{"rendered":"","protected":false},"excerpt":{"rendered":"","protected":false},"author":1,"featured_media":2211,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":[],"categories":[15,45,39,11,9],"tags":[],"class_list":["post-2095","post","type-post","status-publish","has-post-thumbnail","hentry","category-all-projects","category-identitaet","category-poster","category-typedesign","category-website"],"grid":"{\r\n  \"colCount\": 12,\r\n  \"colGutter\": 10,\r\n  \"rowGutters\": [],\r\n  \"frameMargin\": 5,\r\n  \"leftFrameMargin\": 2,\r\n  \"rightFrameMargin\": 2,\r\n  \"topFrameMargin\": 65,\r\n  \"mus\": {\r\n    \"colGutterMu\": \"px\",\r\n    \"rowGutterMu\": \"px\",\r\n    \"topFrameMu\": \"px\",\r\n    \"bottomFrameMu\": \"%\",\r\n    \"frameMu\": \"%\"\r\n  },\r\n  \"bottomFrameMargin\": 2,\r\n  \"rowAttrs\": [\r\n    {\r\n      \"rowcustomheight\": \"\",\r\n      \"relid\": 1\r\n    }\r\n  ],\r\n  \"bgColor\": null,\r\n  \"bgImage\": null,\r\n  \"cont\": [\r\n    {\r\n      \"type\": \"text\",\r\n      \"cont\": \"<h1 class=\\\"_Headline\\\"><span>WIESBADEN BIENNALE 2025<\/span><\/h1><p class=\\\"_Text_small\\\"><span><span>This year\u2019s Wiesbaden Biennale, a festival for theatre, art, music and film organised by the Hessian State Theatre in Wiesbaden, follows an anti-colonial, queer-feminist and inclusive approach \u2013 without explicitly communicating this as such, however.<\/span><\/span><\/p><p class=\\\"_Text_small\\\"><span>In keeping with this strategy, we worked with the curatorial team and scenographers to find ways to ensure that barrier reduction in the promotion and realisation of the event was not just a mere add-on, but rather a central standard and key communication principle from the outset.<\/span><\/p><p class=\\\"_Text_small\\\"><span><span>For<\/span> <span>us<\/span><span>,<\/span> <span>this<\/span> <span>included<\/span> <span>ensuring<\/span> <span>that<\/span> <span>the<\/span> <span>visual<\/span> <span>identity<\/span> <span>in<\/span> <span>terms<\/span> <span>of<\/span> <span>typography<\/span><span>,<\/span> <span>contrast<\/span> <span>ratios<\/span> <span>and<\/span> <span>layout<\/span> <span>was<\/span> <span>designed<\/span> <span>for<\/span> <span>good<\/span> <span>readability<\/span> <span>and<\/span> <span>comprehensibility<\/span> <span>from<\/span> <span>the<\/span> <span>very<\/span> <span>beginning<\/span><span>.<\/span> <span>The<\/span> <span>icons<\/span> <span>designed<\/span> <span>specifically<\/span> <span>for<\/span> <span>this<\/span> <span>project<\/span> <span>as<\/span> <span>part<\/span> <span>of<\/span> <span>the<\/span> <span>custom<\/span> <span>font<\/span> <span>also<\/span> <span>relate<\/span> <span>to<\/span> <span>a<\/span> <span>variety<\/span> <span>of<\/span> <span>needs<\/span> <span>and<\/span> <span>communicate<\/span> <span>information<\/span> <span>about<\/span> <span>the<\/span> <span>festival<\/span> <span>events<\/span> <span>and<\/span> <span>their<\/span> <span>locations<\/span><span>. The text font is <a rel=\\\"noopener\\\" href=\\\"https:\/\/www.oliviaking.com\/inclusivesans\/feature\\\" target=\\\"_blank\\\">Olivia King\u2019s \u00bbInclusive Sans\u00ab<\/a>, which is designed for accessibility and readability. The type designer has incorporated a \u00bbgender trouble star\u00ab (an extra-large asterisk) specifically for this project to support gender-inclusive language in German.<\/span><\/span><\/p><p class=\\\"_Text_small\\\"><span><span>Click here for the <a rel=\\\"noopener\\\" href=\\\"https:\/\/www.wiesbaden-biennale.eu\/en\/\\\" target=\\\"_blank\\\"><span style=\\\"font-family: NKGttWebsiteArrow-90;\\\">0<\/span> Biennale website<\/a>.<br \/><br \/><\/span><\/span><span>Client: <span class=\\\"_Logo\\\">Hessisches Staatstheater Wiesbaden (<\/span><\/span><span class=\\\"--l --r container-target\\\"><span class=\\\"--l --r hover:bg-blue-100 hover:dark:bg-blue-600\\\">Hessian<\/span> <span class=\\\"--l --r hover:bg-blue-100 hover:dark:bg-blue-600\\\">State<\/span> <span class=\\\"--l --r hover:bg-blue-100 hover:dark:bg-blue-600\\\">Theater)<br \/><\/span><\/span><span>Collaboration: Sofie B\u00f6hm (website programming)<br \/>Year: 2025<\/span><\/p>\",\r\n      \"align\": \"top\",\r\n 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class=\\\"_Headline\\\"><span>WIESBADEN BIENNALE 2025<\/span><\/h1><p class=\\\"_Text_small\\\"><span><span>This year\u2019s Wiesbaden Biennale, a festival for theatre, art, music and film organised by the Hessian State Theatre in Wiesbaden, follows an anti-colonial, queer-feminist and inclusive approach \u2013 without explicitly communicating this as such, however.<\/span><\/span><\/p><p class=\\\"_Text_small\\\"><span>In keeping with this strategy, we worked with the curatorial team and scenographers to find ways to ensure that barrier reduction in the promotion and realisation of the event was not just a mere add-on, but rather a central standard and key communication principle from the outset.<\/span><\/p><p class=\\\"_Text_small\\\"><span><span>For<\/span> <span>us<\/span><span>,<\/span> <span>this<\/span> <span>included<\/span> <span>ensuring<\/span> <span>that<\/span> <span>the<\/span> <span>visual<\/span> <span>identity<\/span> <span>in<\/span> <span>terms<\/span> <span>of<\/span> <span>typography<\/span><span>,<\/span> <span>contrast<\/span> <span>ratios<\/span> <span>and<\/span> <span>layout<\/span> <span>was<\/span> <span>designed<\/span> <span>for<\/span> <span>good<\/span> <span>readability<\/span> <span>and<\/span> <span>comprehensibility<\/span> <span>from<\/span> <span>the<\/span> <span>very<\/span> <span>beginning<\/span><span>.<\/span> <span>The<\/span> <span>icons<\/span> <span>designed<\/span> <span>specifically<\/span> <span>for<\/span> <span>this<\/span> <span>project<\/span> <span>as<\/span> <span>part<\/span> <span>of<\/span> <span>the<\/span> <span>custom<\/span> <span>font<\/span> <span>also<\/span> <span>relate<\/span> <span>to<\/span> <span>a<\/span> <span>variety<\/span> <span>of<\/span> <span>needs<\/span> <span>and<\/span> <span>communicate<\/span> <span>information<\/span> <span>about<\/span> <span>the<\/span> <span>festival<\/span> <span>events<\/span> <span>and<\/span> <span>their<\/span> <span>locations<\/span><span>. The text font is <a rel=\\\"noopener\\\" href=\\\"https:\/\/www.oliviaking.com\/inclusivesans\/feature\\\" target=\\\"_blank\\\">Olivia King\u2019s \u00bbInclusive Sans\u00ab<\/a>, which is designed for accessibility and readability. The type designer has incorporated a \u00bbgender trouble star\u00ab (an extra-large asterisk) specifically for this project to support gender-inclusive language in German.<\/span><\/span><\/p><p class=\\\"_Text_small\\\"><span><span>Click here for the <a rel=\\\"noopener\\\" href=\\\"https:\/\/www.wiesbaden-biennale.eu\/en\/\\\" target=\\\"_blank\\\"><span style=\\\"font-family: NKGttWebsiteArrow-90;\\\">0<\/span> Biennale website<\/a>.<br \/><br \/><\/span><\/span><span>Client: <span class=\\\"_Logo\\\">Hessisches Staatstheater Wiesbaden (<\/span><\/span><span class=\\\"--l --r container-target\\\"><span class=\\\"--l --r hover:bg-blue-100 hover:dark:bg-blue-600\\\">Hessian<\/span> <span class=\\\"--l --r hover:bg-blue-100 hover:dark:bg-blue-600\\\">State<\/span> <span class=\\\"--l --r hover:bg-blue-100 hover:dark:bg-blue-600\\\">Theater)<br \/><\/span><\/span><span>Collaboration: Sofie B\u00f6hm (website programming)<br \/>Year: 2025<\/span><\/p>\",\r\n      \"align\": 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